Transformers animated season 1 episode 2 kisscartoon

Transformers animated season 1 episode 2 kisscartoon series#

After the Nemesis departs to follow the Ark, Shockwave lures other weak Decepticons to Kaon Arena to harvest their sparks, prompting Elita-1 and Decepticon Scrapface's forces to detonate the harvester, though they are all killed in the blast. The Ark Autobots are captured by the Fool's Fortune Mercenaries led by Doubledealer and contracted by Quintesson Judge Deseeus, though he betrays them, motivating the thieves help the Autobots escape, while secretly selling out their location to Megatron. With Cybertron unable to sustain life, Megatron and the Decepticons plan to search for a new world aboard the newly-constructed Nemesis, though Elita-1 and her team cause trouble by freeing prisoners whose sparks power the ship. The synchronous plan succeeds, though Elita-1 is left to continue the war effort on Cybertron, the Allspark is lost among the stars, and the Ark is left adrift as an unknown ship approaches. The Autobots cautiously trust ex-Decepticon Jetfire to lead them into the dangerous Sea of Rust to obtain the Allspark, while Ratchet and Decepticon Impactor repair a derelict space bridge, and Bumblebee steals raw energon from the Mercenaries to power the Ark. Despite warnings of dooming the planet itself, Optimus Prime forms a plan to flee Cybertron aboard the Ark with the Allspark. After an imprisoned Ultra Magnus is murdered by Megatron, neutral scavenger Bumblebee obtains the Alpha Trion Protocols containing the location of the Allspark and reluctantly joins the Autobots. Ultra Magnus overhears everything and relays it to the Autobots, launching a hunt for the Allspark from both factions. Frustrated, Ultra Magnus surrenders to Megatron shortly before they learn of the life-giving Allspark, and Shockwave's plan to reformat all Autobots on the planet into Decepticons. The planet Cybertron has been ravaged by an endless civil war between Optimus Prime and his Autobots and Megatron and his Decepticons, with the former in ruins but refusing to stand down. Leading up to the release of the final chapter, TakaryTomy announced the Premium Finish line, half of which features characters from the Netflix show with extremely animation accurate paint jobs. In conjunction with the series, Hasbro and TakaraTomy released a Netflix-branded toyline featuring more battle-worn decoes for pre-existing War for Cybertron Trilogy toys, as well as toys based on characters introduced in the show. Three seasons aired on Netflix, one for each of the franchise's three toylines the first season was released on July 30, 2020, the second season on December 30, 2020, and the third on July 29, 2021. The show also sees Jake Foushee, Jason Marnocha, and Frank Todaro reprising their respective roles as Optimus Prime, Megatron, and Starscream, as well as previous Transformers alumni Keith Silverstein and Jessica DiGiovanni returning for voicework. Easton, Tim Sheridan, and Mae Catt as writers.

Transformers animated season 1 episode 2 kisscartoon series#

DeSanto acts as the series showrunner, a role he previously, partially held for the Prime Wars Trilogy web series, with George Krstic, Gavin Hignight, Brandon M. Compression is more for 'glue' but NOT for raising levels(which is what a mastering limiter does a better job of).Transformers: War for Cybertron Trilogy (also known as War for Cybertron) is an animated series produced by Hasbro and Rooster Teeth based on the War for Cybertron Trilogy toyline, with animation by Polygon Pictures and voice production by Horseless Cowboy. Last 2 cents are you sure its compression you want and not brick-wall limiting? These are 2 somewhat different animals. Some alternative plugins for an entire mix:Д¬ytomic's The Glue(their version of the SSL)

Not only because those options give you a place to use plugins on the whole mix, but also because they let you see metering so you can avoid clipping(its amazing how much clipping can go unnoticed while mixing) Yes, always use a Master track, (OR use a master bus to a master AUX). The best plugins to use are the ones that give you the result YOUR mix needs(what works for the next person may be meaningless if their tracks aren't identical to your tracks. BUT, if you are doing this because somebody said 'you need to use a compressor', then I would re-evaluate a bit. Here's another POV If it sounds good to you, any compressor will work.